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Digging

(in response to Hunger, a poem by Jack Gilbert) I digged I dug I delved into, one tiny scratch turned into few, gleam of polish disguised...

To the brink

(in response to February 20th Street, a poem by Hugo Williams) In the blink of an eye I was bought to the brink of my sanity, I had...

My day

(in response to Anaphora, a poem by Elizabeth Bishop) One day it will be my day, like the days they all were mine. I didnt percieve them...

Knowing

(in response to Knowing Nothing, a poem by Jane Hirshfield) A knowing look. Know it all. Mother’s voice. Knowing, the control room in...

Disconnect

(in response to Grief, a poem by William Matthews) Disconnect. Hard to get a hold on. Domestic life. Have you turned it off at the...

I prefer

(in response to Lies, a poem by Jo Schapcott) Open spaces, spring meadows, allotments, or a humble veg patch. Freshly picked apples, sun...

Others

(in response to Transmutation, a poem by Gael Turnbull) I find others challenging, sometimes baffling, but ultimately I'm excited by...

Beloved

(in response to Different Heights, a poem by Stephen Dunn) Is that the title of a Toni Morrison novel? I think so. I think I read it...

Leave the past

(in response to The Little Tune... a poem by Peter Ackroyd) Leave the past … Before it leaves you Before it believes you After it means...

Come back

(in response to a passage from The Iceberg, a memoir by Marion Coutts) I come back often to this room with green walls and 70s cupboards....

Inspired by www.pulsevoices.org, Narrative Workshop participants are invited to share their work anonymously on this platform. Sharing inner most thoughts and stories with other participants in the workshops is a first step, while releasing stories into the ether, here, is a further progression of that act. In Narrative Workshops, we understand that “you don’t know what you want to say until you begin to say it”. In these fragments, participants have “begun to say it”. 
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